{"id":12,"date":"2017-11-20T23:41:19","date_gmt":"2017-11-20T22:41:19","guid":{"rendered":"http:\/\/szik.umk.pl\/en\/?page_id=12"},"modified":"2023-12-19T20:44:41","modified_gmt":"2023-12-19T19:44:41","slug":"tom-arch","status":"publish","type":"page","link":"https:\/\/szik.umk.pl\/en\/tom-arch\/","title":{"rendered":"Archival volumes"},"content":{"rendered":"

\u00a0<\/strong><\/p>\n

\"\"\u201eSztuka i Kultura\u201d, vol. 5, 2017\/2018<\/strong><\/p>\n

Anna B\u0142a\u017cejewska, Gothic sculpture of Crucified Christ from Starogard Gda\u0144ski<\/em>, pp.\u00a09-52 [PDF<\/a>]<\/p>\n

Jacek Tylicki, \u201eQueen of Sheba before Solomon\u201d an unknown painting by Stephan Kessler in the National Museum in Warsaw<\/em>, pp. 53-71 [PDF<\/a>]
\n<\/em><\/p>\n

Justyna Kowalczyk, Equipment of post Jesuit church of St. Franciszek Ksawery in Grudzi\u0105dz as an example of chinoiserie manner<\/em>, pp. 73-107 [PDF<\/a>]
\n<\/em><\/p>\n

Jakub Sito, From the history of the erection of the Palace of the Przebendowski family in Warsaw<\/em>, pp. 109-140 [PDF<\/a>]
\n<\/em><\/p>\n

Miros\u0142awa Sobczy\u0144ska-Szczepa\u0144ska, Paintings of the Adoration of the Holy Trinity by St John de Math and St Felix de Valois and St Jude Thaddeus – forgotten works by Tadeusz Kuntze<\/em>, pp. 141-157 [PDF<\/a>]<\/p>\n

Ryszard M\u0105czy\u0144ski, Zawadzki and Kamsetzer \u2013 testimony to the friendship and cooperation of the architects. Reflections on the Tyszkiewicz and Raczy\u0144ski palaces in Warsaw<\/em>, pp. 159-220 [PDF<\/a>]
\n<\/em><\/p>\n

Ewa Mostowicz-Kapciak, Sketchbooks of the painter Marcin Zaleski<\/em>, pp. 221-286 [PDF<\/a>]
\n<\/em><\/p>\n

Ewa Letkiewicz, Historicism current in the 19th-century European jewellery<\/em>, pp. 287-313 [PDF<\/a>]
\n<\/em><\/p>\n

Jan Wiktor Sienkiewicz, Body of nature \u2013 nature of the body. Jakub Godziszewski’s painting<\/em>, pp. 315-347 [PDF<\/a>]
\n<\/em><\/p>\n

Przemys\u0142aw Waszak, Developmental<\/em> formal-ideal sequences within the construction of artistic times by George Kubler<\/em>, pp. 349-366 [PDF<\/a>]
\n<\/em><\/p>\n

Notes\u00a0on the Authors<\/em>, pp. 367-368 [PDF<\/a>]<\/p>\n

\"\"\u201eSztuka i Kultura\u201d, vol. 4, 2016:<\/strong><\/p>\n

Magdalena Maciudzi\u0144ska-Kamczycka, The 'Purim Miracle’ from Dura Europos synagogue. Representation of the 'Book of Esther’ in ancient Jewish art<\/em>, pp. 9-25 [Abstract<\/a>] [PDF<\/a>]<\/p>\n

El\u017cbieta Pilecka, Origin of the architectonic form of the Marian church in Gda\u0144sk \u2013 a late-gothic church of the council of Main Town<\/em>, pp. 27-82 [Abstract<\/a>] [PDF<\/a>]<\/p>\n

Katarzyna Krupska, Bart\u0142omiej \u0141yczak, From guild master to independent craftsman. Life and artistic work of a Toru\u0144 painter Heinrich Christian Serner<\/em>, pp. 83-103 [Abstract<\/a>] [PDF<\/a>]<\/p>\n

Przemys\u0142aw Waszak, Late Baroque Cathedral of St. Nicolas in Saint Petersburg, Savva Ivanovich Chevakinsky\u2019s work on the break of epochs<\/em>, pp. 105-128 [Abstract<\/a>] [PDF<\/a>]<\/p>\n

Ryszard M\u0105czy\u0144ski, \u2018Goth needed in Arcadia\u2019. Considerations on the neo-gothic current in the Polish classicist architecture<\/em>, pp. 129-199 [Abstract<\/a>] [PDF<\/a>]<\/p>\n

Monika Stecyk, Empire wallpapers from the palace of Walewice<\/em>, pp. 201-215 [Abstract<\/a>] [PDF<\/a>]<\/p>\n

Anna Rudek-\u015amiechowska, Warm days and rainy days. Contribution to the study on the subject of immigration in the light of artists\u2019 utterances<\/em>, pp. 217-242 [Abstract<\/a>] [PDF<\/a>]<\/p>\n

Jan Wiktor Sienkiewicz, Witold Urbanowicz. Polish Pallottine-artist in Paris<\/em>, pp. 243-266 [Abstract<\/a>] [PDF<\/a>]<\/p>\n

Sebastian Dudzik, Art and rituals. Koji Kamoji and his visions of the infinite<\/em>, pp. 267-312 [Abstract<\/a>] [PDF<\/a>]<\/p>\n

\u0141ukasz K\u0119dziora, How to make use of eye tracking in a museum – admission to discussion<\/em>, pp. 313-339 [Abstract<\/a>] [PDF<\/a>]<\/p>\n

Notes\u00a0on the Authors<\/em>, pp. 341-342 [PDF<\/a>]<\/p>\n

\"\"<\/p>\n

\u201eSztuka i Kultura\u201d, vol. 3, 2015:<\/strong><\/p>\n

Monika Stecyk, \u2018Daphnis and Chloe\u2019 by Paris Bordon. Mythology and eroticism<\/em>, pp. 7\u201319 [Abstract<\/a>] [PDF<\/a>]<\/p>\n

Arkadiusz Wagner, The influence of Albrecht D\u00fcrer on Renaissance bookbinding decoration as exemplified by a volume from the University Library in Pozna\u0144<\/em>, pp. 21\u201333 [Abstract<\/a>] [PDF<\/a>]<\/p>\n

Justyna Kowalczyk, Landscape with Infant St. John the Baptist\u2019 \u2013 a Flemish painting in the Museum in Kro\u015bniewice<\/em>, pp. 35\u201339 [Abstract<\/a>] [PDF<\/a>]<\/p>\n

Jacek Tylicki, Some paintings by the Gda\u0144sk artist Johann Krieg in Pelplin<\/em>, pp. 41\u201385 [Abstract<\/a>] [PDF<\/a>]<\/p>\n

Aleksander Smoli\u0144ski, Buczacz figure of St. John of Nepomuk by Jan Jerzy Pinsel<\/em>, pp. 87\u2013112 [Abstract<\/a>] [PDF<\/a>]<\/p>\n

Ryszard M\u0105czy\u0144ski, The palace in Walewice and the palace in Ma\u0142a Wie\u015b: reflections on how \u2013 in the opinion of posterity \u2013 a disciple appropriated the masterpieces of his master, Stanis\u0142aw Zawadzki<\/em>, pp. 113\u2013242 [Abstract<\/a>] [PDF<\/a>]<\/p>\n

Emilia Zi\u00f3\u0142kowska, The Warsaw Badeni palace<\/em>, pp. 243\u2013325 [Abstract<\/a>] [PDF<\/a>]<\/p>\n

Oleh Rudenko, Unfulfilled dreams of Jan Bo\u0142oz Antoniewicz<\/em>, pp. 327\u2013376 [Abstract<\/a>] [PDF<\/a>]<\/p>\n

Samuela S\u0142o\u0144, The new chaos paradigm in life and artistic activity of Andrzej Urbanowicz<\/em>, pp. 377\u2013399 [Abstract<\/a>] [PDF<\/a>]<\/p>\n

Notes on the authors<\/em>, pp. 401\u2013402 [PDF<\/a>]<\/p>\n

\"\"\u201eSztuka i Kultura\u201d, vol 2, 2014<\/strong><\/p>\n

Magdalena Maciudzi\u0144ska-Kamczycka, From Bezalel to Marianos and Hanina \u2013 a picture of an artist in antique Jewish tradition<\/em>, pp. 7\u2013<\/em>46. [Abstract]<\/a>\u00a0[PDF]<\/a><\/p>\n

Przemys\u0142aw Waszak, Gothic \u201cembracing crucifixes\u201d and their wood carved examples from W\u00fcrzburg, Suhl-Heinrichs and Helmstedt<\/em>, pp. 47\u2013<\/em>80. [Abstract]<\/a>\u00a0[PDF]<\/a><\/p>\n

Bart\u0142omiej \u0141yczak, An unknown episode from the biography of an architect Pompeo Ferrari connected with the reconstruction of Toru\u0144 after the siege of 1703<\/em>, pp. 81\u2013<\/em>106. [Abstract]<\/a> [PDF]<\/a><\/p>\n

Katarzyna Krupska, Silver plaques as votive offernings from Toru\u0144 goldsmith Jan Lety\u0144ski\u2019s workshop<\/em>, pp. 107\u2013<\/em>144. [Abstract]<\/a> [PDF]<\/a><\/p>\n

Ryszard M\u0105czy\u0144ski, The conflict between Hilary Szpilowski and Stanis\u0142aw Zawadzki concerning principles of architecture during construction of the Kamieniec Podolski (Kamianets Podilskyi) fortress barracks<\/em>, pp. 145\u2013<\/em>278. [Abstract]<\/a>\u00a0[PDF]<\/a><\/p>\n

Teresa Tylicka, Drawings of Johann Christian Schreiber \u2013 Torunian artist amateur from 18th century<\/em>, pp. 279\u2013<\/em>308. [Abstract]<\/a> [PDF]<\/a><\/p>\n

Irena Kossowska, Schulz\u2019s drawing. Artistic persiflage and relationships<\/em>, pp. 309\u2013<\/em>352. [Abstract]<\/a> [PDF]<\/a><\/p>\n

Jan Wiktor Sienkiewicz, Gino Severini about Polish painting. 70th anniversary of the exhibition of Polish painters-soldiers in Rome in 1944<\/em>, pp. 353\u2013<\/em>368. [Abstract]<\/a> [PDF]<\/a><\/p>\n

Notes on the authors<\/em>, pp. 369\u2013<\/em>370. [PDF]<\/a><\/p>\n

\"\"\u201eSztuka i Kultura\u201d, vol 1, 2013<\/strong><\/p>\n

Ryszard M\u0105czy\u0144ski, Editorial<\/em>, pp. 7\u2013<\/em>8. [PDF-Polish]<\/a>.<\/p>\n

Przemys\u0142aw Waszak, Crucifix on the Tree of Life from dominican church of St. Nicolas in Toru\u0144 \u2013 new look<\/em>, pp. 9\u2013<\/em>36. [Abstract]<\/a> [PDF]<\/a><\/p>\n

Joanna K\u0142ysz-Hackbarth, A mirror in parergon function and as a place of reflection on the picture subject in an example of \u2018The Arnolfini Marriage\u2019 by Jan van Eyck<\/em>, pp. 37\u2013<\/em>50. [Abstract]<\/a> [PDF]<\/a><\/p>\n

Jacek Tylicki, Johann Aken \u2013 a forgotten painter of the Baltic region and his works, pp. 51\u201386<\/em>, pp. 51\u2013<\/em>86. [Abstract]<\/a> [PDF]<\/a><\/p>\n

Tomasz Niklas, Graphic image of St. Elias from the collection of the Carmelite Order in Piasek, Krak\u00f3w<\/em>, pp. 87\u2013<\/em>100. [Abstract]<\/a> [PDF]<\/a><\/p>\n

Ryszard M\u0105czy\u0144ski, The parish church in Nowy Dw\u00f3r Mazowiecki \u2013 unappreciated masterpiece of Polish classicism<\/em>, pp. 101\u2013<\/em>172.\u00a0[Abstract]<\/a> [PDF]<\/a><\/p>\n

Barbara Dygda\u0142a-K\u0142osi\u0144ska, Byzantine inspirations in the burial chapel of the Radziwi\u0142\u0142s in Antonin near Ostr\u00f3w Wielkopolski<\/em>, pp. 173\u2013<\/em>204. [Abstract]<\/a> [PDF]<\/a><\/p>\n

Irena Kossowska, The Paradigm of Style: French sculpture in Warsaw of 1935<\/em>, pp. 205\u2013<\/em>238. [Abstract]<\/a> [PDF]<\/a><\/p>\n

Jan Wiktor Sienkiewicz, Polish art abroad. Man and silence in painting space of Robert Bluj<\/em>, pp. 239\u2013<\/em>260. [Abstract]<\/a> [PDF]<\/a><\/p>\n

Marta Smoli\u0144ska, \u2018Alien city\u2019. City in process<\/em>, pp. 261\u2013<\/em>270. [Abstract]<\/a> [PDF]<\/a><\/p>\n

Notes on the authors<\/em>, pp. 271\u2013<\/em>272. [PDF]<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0 \u201eSztuka i Kultura\u201d, vol. 5, 2017\/2018 Anna B\u0142a\u017cejewska, Gothic sculpture of Crucified Christ from Starogard Gda\u0144ski, pp.\u00a09-52 [PDF] Jacek Tylicki, \u201eQueen of Sheba before Solomon\u201d an unknown painting by Stephan Kessler in the National Museum in Warsaw, pp. 53-71 [PDF] Justyna Kowalczyk, Equipment of post Jesuit church of St. Franciszek Ksawery in Grudzi\u0105dz as Read more about Archival volumes<\/span>[…]<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-12","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/szik.umk.pl\/en\/wp-json\/wp\/v2\/pages\/12","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/szik.umk.pl\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/szik.umk.pl\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/szik.umk.pl\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/szik.umk.pl\/en\/wp-json\/wp\/v2\/comments?post=12"}],"version-history":[{"count":17,"href":"https:\/\/szik.umk.pl\/en\/wp-json\/wp\/v2\/pages\/12\/revisions"}],"predecessor-version":[{"id":140,"href":"https:\/\/szik.umk.pl\/en\/wp-json\/wp\/v2\/pages\/12\/revisions\/140"}],"wp:attachment":[{"href":"https:\/\/szik.umk.pl\/en\/wp-json\/wp\/v2\/media?parent=12"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}