„Sztuka i Kultura”, vol. 5, 2017/2018
Anna Błażejewska, Gothic sculpture of Crucified Christ from Starogard Gdański, pp. 9-52 [PDF]
Jacek Tylicki, „Queen of Sheba before Solomon” an unknown painting by Stephan Kessler in the National Museum in Warsaw, pp. 53-71 [PDF]
Justyna Kowalczyk, Equipment of post Jesuit church of St. Franciszek Ksawery in Grudziądz as an example of chinoiserie manner, pp. 73-107 [PDF]
Jakub Sito, From the history of the erection of the Palace of the Przebendowski family in Warsaw, pp. 109-140 [PDF]
Mirosława Sobczyńska-Szczepańska, Paintings of the Adoration of the Holy Trinity by St John de Math and St Felix de Valois and St Jude Thaddeus – forgotten works by Tadeusz Kuntze, pp. 141-157 [PDF]
Ryszard Mączyński, Zawadzki and Kamsetzer – testimony to the friendship and cooperation of the architects. Reflections on the Tyszkiewicz and Raczyński palaces in Warsaw, pp. 159-220 [PDF]
Ewa Mostowicz-Kapciak, Sketchbooks of the painter Marcin Zaleski, pp. 221-286 [PDF]
Ewa Letkiewicz, Historicism current in the 19th-century European jewellery, pp. 287-313 [PDF]
Jan Wiktor Sienkiewicz, Body of nature – nature of the body. Jakub Godziszewski’s painting, pp. 315-347 [PDF]
Przemysław Waszak, Developmental formal-ideal sequences within the construction of artistic times by George Kubler, pp. 349-366 [PDF]
Notes on the Authors, pp. 367-368 [PDF]
„Sztuka i Kultura”, vol. 4, 2016:
Magdalena Maciudzińska-Kamczycka, The 'Purim Miracle’ from Dura Europos synagogue. Representation of the 'Book of Esther’ in ancient Jewish art, pp. 9-25 [Abstract] [PDF]
Elżbieta Pilecka, Origin of the architectonic form of the Marian church in Gdańsk – a late-gothic church of the council of Main Town, pp. 27-82 [Abstract] [PDF]
Katarzyna Krupska, Bartłomiej Łyczak, From guild master to independent craftsman. Life and artistic work of a Toruń painter Heinrich Christian Serner, pp. 83-103 [Abstract] [PDF]
Przemysław Waszak, Late Baroque Cathedral of St. Nicolas in Saint Petersburg, Savva Ivanovich Chevakinsky’s work on the break of epochs, pp. 105-128 [Abstract] [PDF]
Ryszard Mączyński, ‘Goth needed in Arcadia’. Considerations on the neo-gothic current in the Polish classicist architecture, pp. 129-199 [Abstract] [PDF]
Monika Stecyk, Empire wallpapers from the palace of Walewice, pp. 201-215 [Abstract] [PDF]
Anna Rudek-Śmiechowska, Warm days and rainy days. Contribution to the study on the subject of immigration in the light of artists’ utterances, pp. 217-242 [Abstract] [PDF]
Jan Wiktor Sienkiewicz, Witold Urbanowicz. Polish Pallottine-artist in Paris, pp. 243-266 [Abstract] [PDF]
Sebastian Dudzik, Art and rituals. Koji Kamoji and his visions of the infinite, pp. 267-312 [Abstract] [PDF]
Łukasz Kędziora, How to make use of eye tracking in a museum – admission to discussion, pp. 313-339 [Abstract] [PDF]
Notes on the Authors, pp. 341-342 [PDF]
„Sztuka i Kultura”, vol. 3, 2015:
Monika Stecyk, ‘Daphnis and Chloe’ by Paris Bordon. Mythology and eroticism, pp. 7–19 [Abstract] [PDF]
Arkadiusz Wagner, The influence of Albrecht Dürer on Renaissance bookbinding decoration as exemplified by a volume from the University Library in Poznań, pp. 21–33 [Abstract] [PDF]
Justyna Kowalczyk, Landscape with Infant St. John the Baptist’ – a Flemish painting in the Museum in Krośniewice, pp. 35–39 [Abstract] [PDF]
Jacek Tylicki, Some paintings by the Gdańsk artist Johann Krieg in Pelplin, pp. 41–85 [Abstract] [PDF]
Aleksander Smoliński, Buczacz figure of St. John of Nepomuk by Jan Jerzy Pinsel, pp. 87–112 [Abstract] [PDF]
Ryszard Mączyński, The palace in Walewice and the palace in Mała Wieś: reflections on how – in the opinion of posterity – a disciple appropriated the masterpieces of his master, Stanisław Zawadzki, pp. 113–242 [Abstract] [PDF]
Emilia Ziółkowska, The Warsaw Badeni palace, pp. 243–325 [Abstract] [PDF]
Oleh Rudenko, Unfulfilled dreams of Jan Bołoz Antoniewicz, pp. 327–376 [Abstract] [PDF]
Samuela Słoń, The new chaos paradigm in life and artistic activity of Andrzej Urbanowicz, pp. 377–399 [Abstract] [PDF]
Notes on the authors, pp. 401–402 [PDF]
„Sztuka i Kultura”, vol 2, 2014
Magdalena Maciudzińska-Kamczycka, From Bezalel to Marianos and Hanina – a picture of an artist in antique Jewish tradition, pp. 7–46. [Abstract] [PDF]
Przemysław Waszak, Gothic “embracing crucifixes” and their wood carved examples from Würzburg, Suhl-Heinrichs and Helmstedt, pp. 47–80. [Abstract] [PDF]
Bartłomiej Łyczak, An unknown episode from the biography of an architect Pompeo Ferrari connected with the reconstruction of Toruń after the siege of 1703, pp. 81–106. [Abstract] [PDF]
Katarzyna Krupska, Silver plaques as votive offernings from Toruń goldsmith Jan Letyński’s workshop, pp. 107–144. [Abstract] [PDF]
Ryszard Mączyński, The conflict between Hilary Szpilowski and Stanisław Zawadzki concerning principles of architecture during construction of the Kamieniec Podolski (Kamianets Podilskyi) fortress barracks, pp. 145–278. [Abstract] [PDF]
Teresa Tylicka, Drawings of Johann Christian Schreiber – Torunian artist amateur from 18th century, pp. 279–308. [Abstract] [PDF]
Irena Kossowska, Schulz’s drawing. Artistic persiflage and relationships, pp. 309–352. [Abstract] [PDF]
Jan Wiktor Sienkiewicz, Gino Severini about Polish painting. 70th anniversary of the exhibition of Polish painters-soldiers in Rome in 1944, pp. 353–368. [Abstract] [PDF]
Notes on the authors, pp. 369–370. [PDF]
„Sztuka i Kultura”, vol 1, 2013
Ryszard Mączyński, Editorial, pp. 7–8. [PDF-Polish].
Przemysław Waszak, Crucifix on the Tree of Life from dominican church of St. Nicolas in Toruń – new look, pp. 9–36. [Abstract] [PDF]
Joanna Kłysz-Hackbarth, A mirror in parergon function and as a place of reflection on the picture subject in an example of ‘The Arnolfini Marriage’ by Jan van Eyck, pp. 37–50. [Abstract] [PDF]
Jacek Tylicki, Johann Aken – a forgotten painter of the Baltic region and his works, pp. 51–86, pp. 51–86. [Abstract] [PDF]
Tomasz Niklas, Graphic image of St. Elias from the collection of the Carmelite Order in Piasek, Kraków, pp. 87–100. [Abstract] [PDF]
Ryszard Mączyński, The parish church in Nowy Dwór Mazowiecki – unappreciated masterpiece of Polish classicism, pp. 101–172. [Abstract] [PDF]
Barbara Dygdała-Kłosińska, Byzantine inspirations in the burial chapel of the Radziwiłłs in Antonin near Ostrów Wielkopolski, pp. 173–204. [Abstract] [PDF]
Irena Kossowska, The Paradigm of Style: French sculpture in Warsaw of 1935, pp. 205–238. [Abstract] [PDF]
Jan Wiktor Sienkiewicz, Polish art abroad. Man and silence in painting space of Robert Bluj, pp. 239–260. [Abstract] [PDF]
Marta Smolińska, ‘Alien city’. City in process, pp. 261–270. [Abstract] [PDF]
Notes on the authors, pp. 271–272. [PDF]